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#1 - Tiffany Fanueil Sterling Long Handled Salad Set with Gilt Tines and and Serving Spoon. Sterling Spoon has Mono Removal.11.1 troy oz.

Tiffany Fanueil Sterling Long Handled Salad Set with Gilt Tines and and Serving Spoon. Sterling Spoon has Mono Removal.11.1 troy oz.

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#3 - Georgian Sterling Silver, London. Unusual Coffee Pot on Stand with Burner (Repair to Handle). All 3 Pieces Marked with Crown and Initial. 20.9 troy oz.

Georgian Sterling Silver, London. Unusual Coffee Pot on Stand with Burner (Repair to Handle). All 3 Pieces Marked with Crown and Initial. 20.9 troy oz.

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#6 - 19th C.Hand Hammered Coin Silver Teapot with Greek Key Border. Monogram. Baily & Co. Philadelphia. 35.7 troy oz.

19th C.Hand Hammered Coin Silver Teapot with Greek Key Border. Monogram. Baily & Co. Philadelphia. 35.7 troy oz.

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#10 - Turn of Century Sterling Water Pitcher. Goodnow & Jenks, Boston, MA Retailed for Foster & Co.. 25.1 troy oz.

Turn of Century Sterling Water Pitcher. Goodnow & Jenks, Boston, MA Retailed for Foster & Co.. 25.1 troy oz.

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#10B - Gorham Sterling "Melrose" Pattern Flatware Service,comprising twelve each: dinner forks, dinner knives, cream soupspoons and teaspoons, in a fitted box, approx. 57 troy oz. weighable silver.

Gorham Sterling "Melrose" Pattern Flatware Service,comprising twelve each: dinner forks, dinner knives, cream soupspoons and teaspoons, in a fitted box, approx. 57 troy oz. weighable silver.

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#11 - Qing Dynasty Tongzhi Period 1862 - 1874 mark (smeared) in iron red with chamfered corners. This hexagon vase with a white ground is decorated with polychrome vases bordered by symbols.

Qing Dynasty Tongzhi Period 1862 - 1874 mark (smeared) in iron red with chamfered corners. This hexagon vase with a white ground is decorated with polychrome vases bordered by symbols.

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#12 - Cane Stand, Qing Dynasty, Daoguang Period 1821- 50. The period mark in iron red was smeared when wet. Made on a wheel, the circular turned evidence on the underside of the base, approx. 20" h. The Canton Famille Rose design

Cane Stand, Qing Dynasty, Daoguang Period 1821- 50. The period mark in iron red was smeared when wet. Made on a wheel, the circular turned evidence on the underside of the base, approx. 20" h. The Canton Famille Rose design

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#13 - Two Piece square bulbous vase, clean and crisp printed red mark defies bottom rim staining and age crack in base of vase. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Dynasty, Qianlong Period, Made", Mark stamped with double outlines. Tentative date Guangxu period 1875-1908.

Two Piece square bulbous vase, clean and crisp printed red mark defies bottom rim staining and age crack in base of vase. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Dynasty, Qianlong Period, Made", Mark stamped with double outlines. Tentative date Guangxu period 1875-1908.

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#16A - Chinese Partial Export Porcelain Luncheon Service, Set of 8 Canton Famille Rose Medallion plates 8 1/2" dia.,(China, 20th c.) four 7", two 9" one 9 1/2" and one 10" plates, six 6" scallop edge plates, 10 salad bowls, sixmugs, 3 coffee cups with five 4 3/4" and five 5 1/2" saucers, one soup bowl, spoon and undertray.

Chinese Partial Export Porcelain Luncheon Service, Set of 8 Canton Famille Rose Medallion plates 8 1/2" dia.,(China, 20th c.) four 7", two 9" one 9 1/2" and one 10" plates, six 6" scallop edge plates, 10 salad bowls, sixmugs, 3 coffee cups with five 4 3/4" and five 5 1/2" saucers, one soup bowl, spoon and undertray.

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#23 - R. A. Clifford (American 1833/5 - 1895) signed lower left oil on canvas, relined. The frame with paper label of Wright, Brown & Co., Manufacturers, No 37 Troy, NH. American School landscape highlighting the view of a woman holding an infant with four children at her side in front of a residence on a wooded hillside with tall mountains in the background approx. 32" x 24".

R. A. Clifford (American 1833/5 - 1895) signed lower left oil on canvas, relined. The frame with paper label of Wright, Brown & Co., Manufacturers, No 37 Troy, NH. American School landscape highlighting the view of a woman holding an infant with four children at her side in front of a residence on a wooded hillside with tall mountains in the background approx. 32" x 24".

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#24 - 19th c oil on canvas, unsigned 28" square stretcher under circular window. Popular theme after Raphael in the Continental School of Madonna holding child with onlooking child, unsigned.

19th c oil on canvas, unsigned 28" square stretcher under circular window. Popular theme after Raphael in the Continental School of Madonna holding child with onlooking child, unsigned.

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#25 - Oil on canvas. River in a mountain valley at summer dusk. Ross, signed in red lower right. 20" x 32".

Oil on canvas. River in a mountain valley at summer dusk. Ross, signed in red lower right. 20" x 32".

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#26 - 19th c. oil on canvas landscape unsigned. European School dusk summer view of a valley with a pasture and pond in the foreground, approximately 24" x 36 " in molded gilt wood frame which could be the original.

19th c. oil on canvas landscape unsigned. European School dusk summer view of a valley with a pasture and pond in the foreground, approximately 24" x 36 " in molded gilt wood frame which could be the original.

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#27 - Oil on canvas. Landscape. A classic composition of a center road winding into the horizon flanked by water and vegetation. Birch trees on the right and a residence on the left. Signed lower right John Morrell (Washington DC 20th c.) Approximately 32" x 24"

Oil on canvas. Landscape. A classic composition of a center road winding into the horizon flanked by water and vegetation. Birch trees on the right and a residence on the left. Signed lower right John Morrell (Washington DC 20th c.) Approximately 32" x 24"

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#28 - 19th c Oil on canvas. Landscape of the Hudson River Valley School. A fine summer view of Hudson Highlands in the Catskill Mountains of New York State. Approximately 32" x 24", the lake in the foreground extends to the distance accented with sailboats. Unsigned

19th c Oil on canvas. Landscape of the Hudson River Valley School. A fine summer view of Hudson Highlands in the Catskill Mountains of New York State. Approximately 32" x 24", the lake in the foreground extends to the distance accented with sailboats. Unsigned

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#32 - Jim Dine (b. 1935). These Three Dogs Are for Nina D. Triptych, etching and aquatint with hand coloring and shellac, on three sheets of wove paper 1990, signed in black felt tip pen and numbered 10/10 (total edition includes 4 artist's proofs), co-published by Pace Editions, Inc., New York and Waddington Graphics, London, the full sheets, in good condition, framed overall size 85 in. by 41 1/2 in. Sight 80 in. by 36 in. Comments This work is dedicated to the artist's grandddaughter. Provenance: Southeby's, Sale 7211, Lot 1059, Oct. 31, 1998

Jim Dine (b. 1935). These Three Dogs Are for Nina D. Triptych, etching and aquatint with hand coloring and shellac, on three sheets of wove paper 1990, signed in black felt tip pen and numbered 10/10 (total edition includes 4 artist's proofs), co-published by Pace Editions, Inc., New York and Waddington Graphics, London, the full sheets, in good condition, framed overall size 85 in. by 41 1/2 in. Sight 80 in. by 36 in. Comments This work is dedicated to the artist's grandddaughter. Provenance: Southeby's, Sale 7211, Lot 1059, Oct. 31, 1998

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#33 - Peter Max. Acrylic On Serigraph. Heart #2. Signed Upper Right. Provenance: Hanson Art Galleries, 465 West Broadway, New York, NY. October 29, 1992. The painting is also personally autographed on the back to Maxine from Peter Max. Born: 1937 - Berlin, Germany. Sight 35" x 39"

Peter Max. Acrylic On Serigraph. Heart #2. Signed Upper Right. Provenance: Hanson Art Galleries, 465 West Broadway, New York, NY. October 29, 1992. The painting is also personally autographed on the back to Maxine from Peter Max. Born: 1937 - Berlin, Germany. Sight 35" x 39"

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#34 - Sam Francis. "Untitled", Los Angeles (SF76-072". Acrylic on Paper. 21 7/8" x 29 7/8". Signed and Dated on Verso 1976 L.R. Provenance: Acquired directly from the estate of Sam Francis by Jonathan Novak Contemporary Art on March 16, 2000. (b San Mateo, California 1923; d Santa Monica, California 1994)

Sam Francis. "Untitled", Los Angeles (SF76-072". Acrylic on Paper. 21 7/8" x 29 7/8". Signed and Dated on Verso 1976 L.R. Provenance: Acquired directly from the estate of Sam Francis by Jonathan Novak Contemporary Art on March 16, 2000. (b San Mateo, California 1923; d Santa Monica, California 1994)

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#35 - William Guy Wall. Rowers on a Lake. Signed W.G. Wall , l.r.-oil on canvas 15 1/8 x 25 in. (37.8 x 63.6 cm.). (b Dublin, 1792; d Ireland, c. 1864). Provenance: Christie's, Lot 12, May 26, 1988

William Guy Wall. Rowers on a Lake. Signed W.G. Wall , l.r.-oil on canvas 15 1/8 x 25 in. (37.8 x 63.6 cm.). (b Dublin, 1792; d Ireland, c. 1864). Provenance: Christie's, Lot 12, May 26, 1988

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#35A - Syd Solomon. Oil on Canvas. Abstract Landscape. 6' x 6'. Signed L.R. Solomon. (b 1917 - Uniontown, Pennsylvania; d 2004 - Sarasota, Florida.)

Syd Solomon. Oil on Canvas. Abstract Landscape. 6' x 6'. Signed L.R. Solomon. (b 1917 - Uniontown, Pennsylvania; d 2004 - Sarasota, Florida.)

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#46 - Lot of 6 Rings: 14 K Emerald/ Diamomd Ring, .30D, 1.00 EM; 9 K Victorian Garnet Ring; 14 K Ruby/ Diamond Ring, .50 R, .08 D H SI; 14 K Ruby/ Diamond Ring, .01 D SC; 18 K Tsavorite Garnet Ring, 1.0 T; 14 K Diamond Ring, .20 D.

Lot of 6 Rings: 14 K Emerald/ Diamomd Ring, .30D, 1.00 EM; 9 K Victorian Garnet Ring; 14 K Ruby/ Diamond Ring, .50 R, .08 D H SI; 14 K Ruby/ Diamond Ring, .01 D SC; 18 K Tsavorite Garnet Ring, 1.0 T; 14 K Diamond Ring, .20 D.

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#47 - Lot of 6 Rings: 18 K Diamomd Ring, .33 D, L VS; 14 K, 3 Diamond Ring, .75 D TW, H I; 14 K Wedding Ring, .25 D; 14 K Oval Emerald/Diamond Ring, 1.50 EM, .02 D; 14 K Diamond Ring, .33 D Round Brilliant L VS; 14 K Diamond Wedding Ring, .50 D

Lot of 6 Rings: 18 K Diamomd Ring, .33 D, L VS; 14 K, 3 Diamond Ring, .75 D TW, H I; 14 K Wedding Ring, .25 D; 14 K Oval Emerald/Diamond Ring, 1.50 EM, .02 D; 14 K Diamond Ring, .33 D Round Brilliant L VS; 14 K Diamond Wedding Ring, .50 D

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#53 - 14 K White Gold Pear Shape Diamond Ring, 1.51 cts Pear Shape I-J SI, flanked by 4 Diamonds .06 cts Total Weight

14 K White Gold Pear Shape Diamond Ring, 1.51 cts Pear Shape I-J SI, flanked by 4 Diamonds .06 cts Total Weight

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#56 - 14 K White Gold Opal and Diamond Necklace. 7.0 cts Opal Total Weight, 1.0 cts Diamond Total Weight H SI

14 K White Gold Opal and Diamond Necklace. 7.0 cts Opal Total Weight, 1.0 cts Diamond Total Weight H SI

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#56A - 14 K White Gold Oval Shape Diamond Ring, 1.25 cts Oval Shape K-L SI, flanked by Diamonds .50 cts Total Weight

14 K White Gold Oval Shape Diamond Ring, 1.25 cts Oval Shape K-L SI, flanked by Diamonds .50 cts Total Weight

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#56C - 14 K White Gold Oval Shape Diamond Ring, 1.17 cts Oval Shape J-K SI3, flanked by 28 Diamonds .33 cts Total Weight

14 K White Gold Oval Shape Diamond Ring, 1.17 cts Oval Shape J-K SI3, flanked by 28 Diamonds .33 cts Total Weight

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#56G - 14 K White Gold Radiant Shape Diamond Ring, 1.42 cts Radiant Shape H Imperfect, flanked by 22 Diamonds .30 cts Total Weight

14 K White Gold Radiant Shape Diamond Ring, 1.42 cts Radiant Shape H Imperfect, flanked by 22 Diamonds .30 cts Total Weight

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#57 - Thomas McKnight Silkscreen. Moonlit City Scape with Strollers. Signed in Pencil and Numbered 1/30 AP. 25" x 31"

Thomas McKnight Silkscreen. Moonlit City Scape with Strollers. Signed in Pencil and Numbered 1/30 AP. 25" x 31"

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#58 - Thomas McKnight Silkscreen. Grand Interior Overlooking Lake. Signed in Pencil and Numbered 14/30 AP. 25" x 27"

Thomas McKnight Silkscreen. Grand Interior Overlooking Lake. Signed in Pencil and Numbered 14/30 AP. 25" x 27"

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#59 - Two Mixed Media on Paper in Plexi Boxes. Buildings on a Shoreline. Signed in Pencil L.L. 30" x 40" each.

Two Mixed Media on Paper in Plexi Boxes. Buildings on a Shoreline. Signed in Pencil L.L. 30" x 40" each.

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#62 - Alphonse Mucha,   (Czech 1860-1939). Chromoliithograph on Canvas. 3 Maidens Beneath a Tree. Signed L.L.  Mucha 72? x 42?.

Alphonse Mucha,   (Czech 1860-1939). Chromoliithograph on Canvas. 3 Maidens Beneath a Tree. Signed L.L.  Mucha 72? x 42?.

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#63 - Joseph Gerte Co. Inlaid Mahogany Dining Table, Boston, Massachusetts, 20th century, rectangular top with rounded corners and crossbanded border on two lyre-carved supports on molded downswept legs, and three leaves, ht. 29 3/4, wd. 71 3/4, dp. 43 1/2 in.

Joseph Gerte Co. Inlaid Mahogany Dining Table, Boston, Massachusetts, 20th century, rectangular top with rounded corners and crossbanded border on two lyre-carved supports on molded downswept legs, and three leaves, ht. 29 3/4, wd. 71 3/4, dp. 43 1/2 in.

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#64 - Old Colony Federal Style Mahogany Double Pedestal Dining Table 20th century, rectangular top with rounded corners and three leaves, ht. 29 3/4, wd. 68, dp. 43 1/2 in. Two Leaves 12" each and 1 Leave 24".

Old Colony Federal Style Mahogany Double Pedestal Dining Table 20th century, rectangular top with rounded corners and three leaves, ht. 29 3/4, wd. 68, dp. 43 1/2 in. Two Leaves 12" each and 1 Leave 24".

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#71 - Chippendale Style Triple Chair-back settee with serpentine skirt, out-swept arms, raised on cabriole legs terminating in carved claw and ball feet. The 20th c. cherry wood in modern finish. Approximately 50" w x 19" seat height x 36" h.

Chippendale Style Triple Chair-back settee with serpentine skirt, out-swept arms, raised on cabriole legs terminating in carved claw and ball feet. The 20th c. cherry wood in modern finish. Approximately 50" w x 19" seat height x 36" h.

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#72 - Asian Campaign Chest, camphorwood with brass corners, hinges, locks and handles and drop front top.

Asian Campaign Chest, camphorwood with brass corners, hinges, locks and handles and drop front top.

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#80A - Norman Rockwell (1894-1978) Artist Proof Three Boys Fishing (Fishing Hole). 1937 illustration for This Week (July 18 1937) Pencil signed seven color collotype on paper. 26" x 17". Along with Weighing In (The Jockey) Unsigned Print

Norman Rockwell (1894-1978) Artist Proof Three Boys Fishing (Fishing Hole). 1937 illustration for This Week (July 18 1937) Pencil signed seven color collotype on paper. 26" x 17". Along with Weighing In (The Jockey) Unsigned Print

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